A tripod watches sport. An FPV drone is in it.
Our freestyle quads track athletes at speed and hold the line through the run — following a rider downhill, moving sideways alongside a sprint, tilting up as a jump takes off. These are camera moves that used to need a crane, a dolly, a helicopter, or all three.
What we cover
- Extreme sport and motorsport
- Cycling, running and endurance events
- Competitions and live events
- Athlete and brand promotion
- Social teasers and highlight reels
The camera moves that make sport work
Follow-pan
The drone tracks the subject and keeps composition and headroom locked as they move, so the athlete stays in frame at speed.
Crab
Moving sideways, parallel to the athlete. This is the shot that sells a steep descent, because the viewer reads the gradient against a moving background.
Tilt-up
Rising vertically as the subject launches, shifting from eye level to a low angle so the athlete looks dominant in frame.
High-angle tracking
Directly above the line, showing the terrain the athlete has to solve.
Each move changes the pace of a scene. That is the craft: matching movement to the moment, rather than flying fast because the drone can.
Equipment
Mark 5 for freestyle and high-speed pursuit. Protek35 for tighter courses and controlled tracking. Taurus X8 Pro Max when the production needs a cinema camera in the air.